Inner Vegas wrote:That's the "Japanese Businessman on his lunch break" price. I'm open to reasonable offers, esp. if you're from here.
Hey. you mentioned you were the head designer in a piece of gear that, like, " 30 percent of us use and the other 70 percent want." What instrument was that btw?
Inner Vegas wrote:That's the "Japanese Businessman on his lunch break" price. I'm open to reasonable offers, esp. if you're from here.
Hey. you mentioned you were the head designer in a piece of gear that, like, " 30 percent of us use and the other 70 percent want." What instrument was that btw?
Inner Vegas wrote:That's the "Japanese Businessman on his lunch break" price. I'm open to reasonable offers, esp. if you're from here.
Hey. you mentioned you were the head designer in a piece of gear that, like, " 30 percent of us use and the other 70 percent want." What instrument was that btw?
+1, google has no idea who he is.
The Metal Zone
"SWIPE LEFT ASSHOLE!" -retinal orbita "Whatever ASSHOLE here’s my pedal that makes humpback whale noises and also it has a built in sequencer so stick it in your craw! -retinal orbita "Patty Mullen takes me from a ball peen to a sledge" -The Great Velvet Hammer "...at this exact moment Divine has learned of your jealous scheme from the local town gossip. She also has your address, ASS HOLE!" -Narrator (Mr. J) PINK FLAMINGOS 1 bird per post please
cherler wrote:So I finally got to play mine, and AREC is the fucking best.
^^^ this.
At first this pedal gave me writers block. I'd just stare at it trying to think about what to do next and not know. (Deep, yeah?). Then I'd get all bent out of shape if shiz wasn't perfect. But AREC says: dude, I got this.
So a simple Ct5-ish octave up loop that is by all accounts jacked (not in tempo, and c), in AREC, now responds in a very dynamic way to new signals, and through (0s and 1s): magic. (Worthless without clips, I know- soon).
I've finally been spending some serious time with the 856. It was incredible when it was still a little baffling, but now that I have a good grasp of it...fuuuuuuuuuuu.
This leads to a question:
With the Stride function, how much does the distance of POS away from 12 o'clock dictate the amount that the sample advances? In terms of MIDI, if a CC value of 64 means no advance, does a CC value of 65 mean that the next sample playback advances 1/64 of the length of the full sample length relative to the start position of the last playback? Or is it scaled in some other way?
Well, having conducted further tests, I now see that I was misunderstanding STRIDE. As indicated by my post above, I thought that in STRIDE mode each repetition of N (notes P1-P3) would gradually progress through the entire sample. Definitely imagined that feature (though it would be amazing...). But now I can hear that in STRIDE it is the relative position of P1 to P2 to P3 that changes. I think. I do not yet fully understand how this is ruled. Even though the pedal is before me and I'm turning POS, it is still a little confusing to contemplate this operation.
