Let's see your PEDAL BOARD!

[BoatRich]

A shitty picture while I added power supplies to replace my six 1Spots



A scary picture of the case I got to replace my old blue one b/c I'm out of room in it

Do you have any links to music? Also how're you using that many delays? Not judging just really curious.

[Kacey Y]

Also how're you using that many delays? Not judging just really curious.

I'm also very curious about this. I probably looked at that picture 4 different times, counting delays.

[$harkToootth]

I'm interested too but I'm expecting a delayed response.

[Kacey Y]

I'm interested too but I'm expecting a delayed response.

I'm interested too but I'm expecting a delayed response.

I'm interested too but I'm expecting a delayed response.

I'm interested too but I'm expecting a delayed response.

[hbombgraphics]

I'm interested too but I'm expecting a delayed response.

I'm interested too but I'm expecting a delayed response.

I'm interested too but I'm expecting a delayed response.

I'm interested too but I'm expecting a delayed response.

Those delays is crazy

I haven't seen the pants situation properly addressed yet either,

[MechaGodzilla]

Into an RE-150...

Take me home, lordy.

What's that pigdog do?

[Zijnzijn Zijnzijn!]

Basically my whole live performance involves starting up a loop/handful of loops on my Boomerang (off on a sideboard w/ a haymaker and a RAT for doom times), with the big board up on a table. I also build up some loops on the two DD-20s and the RC-3 (usually the DD-20's get straight drones, with each one set to slightly different long times so they slowly swirl around each other). The second half of a performance involves taking those little loops and multiplying them basically infinitely by slowly (ssslllooowwwlllyyy) bringing up the mix and feedback knobs on all the delays (all set to random different time lengths) and verbs . Usually this involves a slow build up of POG2 suboctaves to get the walls vibrating, etc. Eventually it turns into this super harmonious mush of reverb and self-oscilatey distortion (or something). Then I build it back down, maybe adding some new melodic ideas in, and basically go the total opposite direction and bring in the outward/genloss/lofijunky/scrutator to totally eradicate any semblance of the base that had been existing for the past 20-30 minutes. I sort of equate it mentally to the opposite of the disintegration loops, and then an incredibly deliberate disintegration loops.

Completely honestly the sheer amount of delays is definitely partially for show (been keeping my eye out for a dd-5 and dd-6 to pop up for absurdly cheap to complete the collection!), but I do use them all at any given performance. I'm sitting on a handful of wildly unorganized recordings of this kind of stuff (I have a few records on bandcamp - drone improv on a church organ as well as my first album, which is a lot more composed//wall of sound type stuff), one of these days I'll send em out and release em somewhere.

As for the pants, they're just sick as fuck

[hbombgraphics]

Basically my whole live performance involves starting up a loop/handful of loops on my Boomerang (off on a sideboard w/ a haymaker and a RAT for doom times), with the big board up on a table. I also build up some loops on the two DD-20s and the RC-3 (usually the DD-20's get straight drones, with each one set to slightly different long times so they slowly swirl around each other). The second half of a performance involves taking those little loops and multiplying them basically infinitely by slowly (ssslllooowwwlllyyy) bringing up the mix and feedback knobs on all the delays (all set to random different time lengths) and verbs . Usually this involves a slow build up of POG2 suboctaves to get the walls vibrating, etc. Eventually it turns into this super harmonious mush of reverb and self-oscilatey distortion (or something). Then I build it back down, maybe adding some new melodic ideas in, and basically go the total opposite direction and bring in the outward/genloss/lofijunky/scrutator to totally eradicate any semblance of the base that had been existing for the past 20-30 minutes. I sort of equate it mentally to the opposite of the disintegration loops, and then an incredibly deliberate disintegration loops.

Completely honestly the sheer amount of delays is definitely partially for show (been keeping my eye out for a dd-5 and dd-6 to pop up for absurdly cheap to complete the collection!), but I do use them all at any given performance

As for the pants, they're just sick as fuck

This is the flipping best!

When do these shows happen? Any clips?

[Zijnzijn Zijnzijn!]

This is the flipping best!

When do these shows happen? Any clips?

<3

I play a lot locally (Cincinnati) but I do livestream on Facebook randomly from time to time. Usually those are just new pedal sketches or hey-look-at-me-try-to-be-knobs, but this is a chunk of a live performance from a while ago that's pretty good!
https://www.facebook.com/fritzpape/vide ... =2&theater

I'm actually about to start up a radio show on a local station where I broadcast a new 1 hour piece of music that I make once a week, so I'm sure that'll hone this whole thing really well.

[popvulture]

The pants are indeed sick as fuck.

Side note: I want those burgundy mist sparkly drums.

[sylnau]

The pants are indeed sick as fuck.

Side note: I want those burgundy mist sparkly drums.

Just saw your board on Facebook pop... would have fun with!

[PanicProne]

A shitty picture while I added power supplies to replace my six 1Spots

[popvulture]

The pants are indeed sick as fuck.

Side note: I want those burgundy mist sparkly drums.

Just saw your board on Facebook pop... would have fun with!

Ha yeah, I tagged Ryan in a post and I guess he saw that board pic and reposted it. Fun

[fever606]

Into an RE-150...

Take me home, lordy.

What's that pigdog do?

Thanks! The board keeps getting simpler and I keep getting happier with it...

The Vulture is a full-range silicon boost, though the tone control cuts highs instead of lows so it retains some heft if you roll that back... pairs great with Muffs and my Hiwatt-inspired Verellen head...

[SMS]

Bassn' with this board right here!

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