Inconuucl wrote:Copypasta jokes aside, would you pay $2000 for a original Schummann PLL now that all of the amazing takes on the circuit exist? Maybe if you wanted it for the historical (lol) value rather than just the sound.
I can get my random buffer/"virtual tape" effects well enough now, so my gas for the anti-nautilus is all but dead. Same with the Schumann once the data corrupter was out now that I think about it, and this is counting all of the pllones I've had over the years.
Yeah, but unlike the PLL, no one's actually recreated any of cloudscapes' circuits.
The inherent subjective issue related to circuits that utilize microcontrollers and code is that there can still be plenty of nuance and difference between related pedal which can never be effectively recreated that makes their high resale value worth it.
Chankgeez wrote:
We should have a game show à la Name That Tune
Inconuucl: I can shoegaze that tune with 5 pedals.
other contestant: I can shoegaze that tune with 4 pedals.
Inconuucl: I can shoegaze that tune with 3 pedals.
other contestant: OK, shoegaze that tune!
Inconuucl:
I guess I'm not interested in Sonic Crayon anymore because I've found true unobtanium: the impeccable genius of the Aescher Europa Resonator, truly a new type of effect.
Chankgeez wrote:
We should have a game show à la Name That Tune
Inconuucl: I can shoegaze that tune with 5 pedals.
other contestant: I can shoegaze that tune with 4 pedals.
Inconuucl: I can shoegaze that tune with 3 pedals.
other contestant: OK, shoegaze that tune!
Inconuucl:
Inconuucl wrote:I guess I'm not interested in Sonic Crayon anymore because I've found true unobtanium: the impeccable genius of the Aescher Europa Resonator, truly a new type of effect.
So I totally missed out on all that I guess. Googled it, and one of the top 5 results was an ILF thread
pretty sure hes working on them now with the 856