I've never used an EQ pedal.AxAxSxS wrote:I had the same thought right after reading Christian's post. Some one else suggested the QM, that'd be good. We all know anything nic builds you will likely rule, I don't think the elements has quite the low end you are looking for. OCD is a bit trebly to my ear, could just be how it acts in my rig as I know a ton of folks swear by it.
Are you using an eq at all? those MXR's are cheap and can really create some flexibility I like to get things as good as I can when I make a change/npd and then turn the eq on and fine tune. Makes a huge difference.
The Doom Room: ILF Edition
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Re: The Doom Room: ILF Edition
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WTB: Chase Bliss Tonal Recall, Keeley 30ms Delay, cool fuzzes and hand-painted stuff.
http://whores.bandcamp.com
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- christianatl
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Re: The Doom Room: ILF Edition
I run both Marshalls clean as a whistle. Lower gain preamp tubes and low inputs.Ancient Astronaught wrote:The only thing about an OCD or variant is that they might not get "dirty" enough for you, but then I think about your rig... You run your Marshalls pretty hot right with a bit of breakup or do you keep em pretty clean? If you run on with a lil bit of breakup or right on the edge the OCD will sound killer, if you run em clean you might find yourself wanting it to be dirtier. Then again you could always put that black eye boost (you still using one of those?) or any boost in front of it and have as much gain as you'll ever want.christianatl wrote:I forget about the OCD. Good call!
I have the Black Eye after the Muff. I'm not really a fan of boosts in front of dirt. I like them after.
https://www.facebook.com/pages/Whores/108004672554176
http://whores.bandcamp.com
http://whores.bigcartel.com
WTB: Chase Bliss Tonal Recall, Keeley 30ms Delay, cool fuzzes and hand-painted stuff.
http://whores.bandcamp.com
http://whores.bigcartel.com
WTB: Chase Bliss Tonal Recall, Keeley 30ms Delay, cool fuzzes and hand-painted stuff.
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Re: The Doom Room: ILF Edition
I love that Skinpimp 4 knob Buzzaround.Droneforbreakfast wrote:get someone to clone a Tonebender MKI for you, that's definitely a fuzz, but it has a tightness that's closer to OD but is still ranchy as fuck if you want it to. i'd also look into a Buzzaround based on the original circuits, but i don't know if that's gonna be bassy enough for you, although with the volume you use it should be enough. i love my Buzzaround man, that circuit is fucking ace.
if you want to keep a distortion instead of substitute it for a fuzz i'd also look at The Elements, i'd love to have one of those.
https://www.facebook.com/pages/Whores/108004672554176
http://whores.bandcamp.com
http://whores.bigcartel.com
WTB: Chase Bliss Tonal Recall, Keeley 30ms Delay, cool fuzzes and hand-painted stuff.
http://whores.bandcamp.com
http://whores.bigcartel.com
WTB: Chase Bliss Tonal Recall, Keeley 30ms Delay, cool fuzzes and hand-painted stuff.
- christianatl
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Re: The Doom Room: ILF Edition
And Trey, good lookin' out on that Elements.
https://www.facebook.com/pages/Whores/108004672554176
http://whores.bandcamp.com
http://whores.bigcartel.com
WTB: Chase Bliss Tonal Recall, Keeley 30ms Delay, cool fuzzes and hand-painted stuff.
http://whores.bandcamp.com
http://whores.bigcartel.com
WTB: Chase Bliss Tonal Recall, Keeley 30ms Delay, cool fuzzes and hand-painted stuff.
- whiskey_face
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Re: The Doom Room: ILF Edition
clean as fuck was how i ran my superbass. marshall cleans are so good

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- misterstomach
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Re: The Doom Room: ILF Edition
thanks for the kind words, dudes.
support from good folks means the world though, so thanks.
i didn't know that until i read it on the internet, but hey, it's on the internet so it must be true.D.o.S. wrote: Hey, this is pretty rad. Did you know you guys created Cascadian Black Metal?
http://www.megustareviews.com/2012/11/f ... an_21.html
i'm guessing it'll be a while before it's on his trade list. he's an old buddy and we've been talking about it for a while, but it's just getting serious now, which means we're a good while from a release, as i'm sure you know. it's recorded, but unmastered and artwork is totally up in the air, not to mention all the shit on the label's end as far as timeline. i might even be premature to even talk about it, but it's a ten year old recording, so i'm not too worried about it.conky wrote: Parker, that rules about the release. I'll definitely be keeping an eye for it. Brian is supposed to be sending me a wholesale trade list so I can get some distro stuff. I'll have to see if I can get a few copies.
support from good folks means the world though, so thanks.
ryan summit wrote:Damn these fuckin bullshit techherpes
- misterstomach
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Re: The Doom Room: ILF Edition
also this. love those marshall cleans. i run mine a little hairy, but only when i dig in. i love that about a marshall.whiskey_face wrote:clean as fuck was how i ran my superbass. marshall cleans are so good
ryan summit wrote:Damn these fuckin bullshit techherpes
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Re: The Doom Room: ILF Edition
cool pedal, but the original has a smoother sound which i like.christianatl wrote:I love that Skinpimp 4 knob Buzzaround.Droneforbreakfast wrote:get someone to clone a Tonebender MKI for you, that's definitely a fuzz, but it has a tightness that's closer to OD but is still ranchy as fuck if you want it to. i'd also look into a Buzzaround based on the original circuits, but i don't know if that's gonna be bassy enough for you, although with the volume you use it should be enough. i love my Buzzaround man, that circuit is fucking ace.
if you want to keep a distortion instead of substitute it for a fuzz i'd also look at The Elements, i'd love to have one of those.
a good EQ pedal is also a great suggestion. every big board should have one in it.
- AxAxSxS
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Re: The Doom Room: ILF Edition
DUDE!christianatl wrote:I've never used an EQ pedal.AxAxSxS wrote:I had the same thought right after reading Christian's post. Some one else suggested the QM, that'd be good. We all know anything nic builds you will likely rule, I don't think the elements has quite the low end you are looking for. OCD is a bit trebly to my ear, could just be how it acts in my rig as I know a ton of folks swear by it.
Are you using an eq at all? those MXR's are cheap and can really create some flexibility I like to get things as good as I can when I make a change/npd and then turn the eq on and fine tune. Makes a huge difference.
dude,
Go borrow one. Be prepared with some free time to dial it in. Like minimum 3 hours cause you'll likely find a bunch of different settings that kick ass for different things. I did anyways.
I've got one the mxr's, not the greatest probably but it's decent. I set the gain as low as i can and the volume up as high as I can with out generating extra noise. slight dip in the upper mids, boost in low mids and slight boost in the next to lowest low end, and it just makes everything better. I'm considering getting another just to use as a boost, or putting them into the 5 channel looper. super versatile and also killer tool for recording. I can pretty much dial in any of my amps to sound like any of the others using it. Ok, maybe thats a bit of a stretch, but close.
On that note. Is there a drastically better eq out there without getting into rack mount shit?
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"Ingenuity comes in the face of adversity, and nobody ever becomes a legend by following the rules set by society" -A.A.
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Re: The Doom Room: ILF Edition
the MXR 10 band is great. nothing wrong with it. don't know anything that would top it for guitar within the price range and in pedal format.
if you want another one check out the Caline eq's, which sound fine and are a clone of the MXR 10 band eq's. i'm partial to those and the old Boss EQ's, i've had my GE-7b for a long time and always sounds great, no noise whatsoever and it is obviously indestructible. also love the Dano Fish & Chips and they go for the price of a can of Coke, and they're fine pedals. you could also get into a different mindset and get a parametric eq, which is a different animal.
i'm thinking of getting one of those Calines too, later on.
if you want another one check out the Caline eq's, which sound fine and are a clone of the MXR 10 band eq's. i'm partial to those and the old Boss EQ's, i've had my GE-7b for a long time and always sounds great, no noise whatsoever and it is obviously indestructible. also love the Dano Fish & Chips and they go for the price of a can of Coke, and they're fine pedals. you could also get into a different mindset and get a parametric eq, which is a different animal.
i'm thinking of getting one of those Calines too, later on.
- whiskey_face
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Re: The Doom Room: ILF Edition
i love eq pedals but i always go waaaay to apeshit. im not a "subtle tweek to 350 hz" kinda guy . im a DIME ZERO OR LEAVE AT NOON. kinda guy

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Re: The Doom Room: ILF Edition
they're best used with subtlety, although heavy freq boosting can produce interesting results if you want to dominate a certain frequency or get a cocked wah tone or something like that.
most people, imagine... if they have too much bass they will boost treble, but that's counter productive. the secret is to cut what you don't want out of the sound instead of boosting everything to try to cancel out what you don't want. there's a lot to be said about graphic EQ'ing.
most people, imagine... if they have too much bass they will boost treble, but that's counter productive. the secret is to cut what you don't want out of the sound instead of boosting everything to try to cancel out what you don't want. there's a lot to be said about graphic EQ'ing.
- samzadgan
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Re: The Doom Room: ILF Edition
I like my marshall clean too...if it was any cleaner it would be an accountant!
AxAxSxS wrote:...if its a loud tube amp....
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Re: The Doom Room: ILF Edition
Yeah that boss EQ is very capable.
WWPD?
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- AxAxSxS
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Re: The Doom Room: ILF Edition
Thanks DFB, I'll check those out.
I definitely agree with the subtle is better on these things. A gradual curve seems to be where things end up. I can understand whisks approach because....Whiskey.
MOAR!!!!!
I definitely agree with the subtle is better on these things. A gradual curve seems to be where things end up. I can understand whisks approach because....Whiskey.

MOAR!!!!!
Band=InfiniteFlux Flux on Bandcamp
"Ingenuity comes in the face of adversity, and nobody ever becomes a legend by following the rules set by society" -A.A.
"Ingenuity comes in the face of adversity, and nobody ever becomes a legend by following the rules set by society" -A.A.
Infinite Flux full sets and demo's on youtubeCorey Y wrote:it's not obsessive gear hoarding.
https://infiniteflux.bandcamp.com/whiskey_face wrote:that girl can fucking hit lemme tell you![]()
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