AxAxSxS wrote:I think it was his ultimate pedal amp idea? Basically the tone is frozen forever and it's a blank slate, awaiting a board to create sonic mayhem. I dig it as getting knobs bumped in transit is a pain in the ass.
Amp plate needs more NASA logo, other than that, pretty slick. I'd want the knobs spread out more evenly but if layout and functionality dictates, go with that of course. At first the input on the right bugged me and I couldn't figure it out until I realized ALL of my amps put it on the left, or middle. 2203's are the shit man. Had a lot of fun tonight with the Verellen take on it. We're just getting into making a 2 song dealio for Terrasone and it was sounding especially nice for whatever reason. Kinda sad we we were just mainly recording the drums.
One knobber is a cool idea but i figure having the tone controls is still a better idea since the room will change on tour every night and you might need to tweak the knobs a bit to make the amp sound "right."
Thanks for your comments on the amp plate. I put the earth on there as I made that as my LOGOS logo and the font is what I used on the logo too. I made my own version of the earthbound style logo, always liked that game. Still not to sure for the name so it is kinda a place holder.
As for the knobs, they have to be where they are as the holes are already in the chasis since I am repurposing the 6m100 build I got from weber a while ago. So the layout it like a super lead/super bass or a jmp. Like this guy but with metal switches instead of rockers:

SUMAC:[soundcloud]https://soundcloud.com/profoundlorerecords/sumac-thorn-in-the-lions-paw[/soundcloud]
Always dig Aaron Turner stuff!