ilovefuzz.com

I'd love to live in Brad Neely's head.

[youtube]http://www.youtube.com/watch?v=OPQrXUpvkuc[/youtube]

I love his Youtube videos but never watched the China, IL show.

[youtube]http://www.youtube.com/watch?v=dFOXXMJ8IXw[/youtube]
Digging this Megaman/NES RPG-esque music...

CHINA, IL was pretty wonderful. His dubbing of Harry Potter is painful, it is so funny.

China, IL was pretty good, but not quite up to the weirdness of the stream-of-consciousness format of some of his earlier youtube stuff, or the pilot. I mean, it's definitely weird, but there's something missing to the show format.

Wizard People, Dear Reader (his Harry Potter dub) is a masterpiece.

Why are plays still garnishing national fame? How has anyone outside of a small geographic area even heard of Hamilton, and why would they care?

snipelfritz wrote:Wizard People, Dear Reader (his Harry Potter dub) is a masterpiece.

So, I had some downtime and decided to check this out yesterday. Pretty funny, but man, his voice is kind of annoying.

01010111 wrote:Why are plays still garnishing national fame? How has anyone outside of a small geographic area even heard of Hamilton, and why would they care?

I think it's the sort of thing that seems exclusive/keeps people out, so it seems more appetizing. Mysterious.

I can't seem to explain this concept coherently.

Why do prog metal bands tend toward such sterile bass sounds?

They tend to care more about melody, harmony, counter-point rather than sonic density and off the cuff harmonics. Anecdotal evidence but, whenever I speak to people really into that sort of thing, they tend to site "musical complexity" as an attribute of what makes "good" music. I personally, while appreciating people's technical skill, do not fall into this camp.

snipelfritz wrote:

01010111 wrote:Why are plays still garnishing national fame? How has anyone outside of a small geographic area even heard of Hamilton, and why would they care?

I think it's the sort of thing that seems exclusive/keeps people out, so it seems more appetizing. Mysterious.

I can't seem to explain this concept coherently.

I saw BLACKBIRD with Jeff Daniels this time last year and it was amazing. This play would NOT gather national fame as it was certainly not the "feel good" play of the year.

Honestly i think the lameness of prog bass tones is to cut theough the business of everything else.

$harkToootth wrote:They tend to care more about melody, harmony, counter-point rather than sonic density and off the cuff harmonics. Anecdotal evidence but, whenever I speak to people really into that sort of thing, they tend to site "musical complexity" as an attribute of what makes "good" music. I personally, while appreciating people's technical skill, do not fall into this camp.

snipelfritz wrote:

01010111 wrote:Why are plays still garnishing national fame? How has anyone outside of a small geographic area even heard of Hamilton, and why would they care?

I think it's the sort of thing that seems exclusive/keeps people out, so it seems more appetizing. Mysterious.

I can't seem to explain this concept coherently.

I saw BLACKBIRD with Jeff Daniels this time last year and it was amazing. This play would NOT gather national fame as it was certainly not the "feel good" play of the year.

Yeah, it's only something that happens to stupid, marketable musicals.

Honestly, it's a more meaningful show of commitment that I'm prepared to outlive my girlfriend's stupid fucking shithead cat through this allergic war of attrition, than if we got hitched right now.

Stoked for the new Gorillaz jam tomorrow. Profile update to celebrate.