smallsnd/bigsnd wrote: 3 - super compressed swell-like attack fuzz which fades in after the initial signal hits the pedal. lower instrument volumes produce weird intermodulation artifacts.
I would love to hear a clip of this.
[youtube]http://www.youtube.com/watch?v=BgQ4XBIF0v4[/youtube] starts around 5:30, the 4545 demo. I don't recall where in that, but when I hit my strings real hard is when it does it
I am in love with this pedal, the fact that the knobs make little to no sense to me makes it even better. It's like an easter egg hunt for brutal tones
Most importantly it gives me sounds at frequencies I wasn't hearing music gear make before, dog hearing range frequencies. This makes my ears very happy, now I don't have to just tolerate televisions, fluorescent lighting and dog whistles. I can make my own high frequency fun. Thanks Mr smallsound/bigsound
The reason I asked is most settings seem like pure static or feedback. I wanted to know some usable settings. I dig the pedal but am have trouble dialing it in.
"I do not have the ability to think rationally 90% of the time and I also change my mind at the drop of a hat".
for more "normal" fuzzies: texture - turn CCW for trashier, CW for more compressed x - somewhere y - fully CW x, y switches - center tracking - right gate - off
laser blasts: texture - to taste x - somewhere between 7-12 o clock y - wherever x switch - left y switch - center tracking - left gate - off?
octave down with poor tracking: texture - change to fuck with tracking x - wherever y - fully CW x switch - right y switch - right tracking - left gate - off
super gated stuff: texture - will change the gated-ness x - somewhere CW past 8/9 o clock y - wherever x switch - left y switch - center tracking - right gate - on
let me know if any of these help! if not, you can always call me.
Is it different from the old small-box version? 
