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I can't freaking decide which tuning to play in: E, C, or B standard. I just go back and forth. Very frustrating.

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Krosis wrote:I can't freaking decide which tuning to play in: E, C, or B standard. I just go back and forth. Very frustrating.

Nothing wrong with standard tuning. Lots of rad tunes that're way easier to play down one step, too.

As far as low stuff goes, I start to lose my way after two steps (C), since I don't use larger gauges on mah bass, just Rotos -- gotta have those easy bends.

B, for me, is Sepultura and ISIS covers.

Holy shit, I want to see uncle acid so bad. And they're fucking playing the day after my parents get here to visit.

Come to seattle show, stop by here on the way and get some food and drink in ya.

ryan summit wrote:it was the electric brown,popo
baby thundaa/electric brown dual pedal
most drippingly heavy combo i ever heard
there were ideas bein thrown around bout duals
ill find that thread
i just got the mini/hawk dual from skully

Awesome! Cheers mate.
Do you still have it? Any demos up here? I remember your description being pretty full on....listening to Art of Self Defense reminded me to look into it.....hebbie toanz and all.

D.o.S. wrote:

Krosis wrote:I can't freaking decide which tuning to play in: E, C, or B standard. I just go back and forth. Very frustrating.

Nothing wrong with standard tuning. Lots of rad tunes that're way easier to play down one step, too.

As far as low stuff goes, I start to lose my way after two steps (C), since I don't use larger gauges on mah bass, just Rotos -- gotta have those easy bends.

B, for me, is Sepultura and ISIS covers.

C is good. I used to roll it all the time.
B standard is for Down.....Drop A is quite tasty and puts you into Black Cobra territory.

I'm gonna backtrack and check out everyone's tunage now!

Ok, I think I caught up with most of you guys and your new stuff/stuff you posted about. If I missed it, repost it, cause I wanna hear more DR related awesome.

SLK: I really liked Kamikaze Pilot....probably a lot more than I should.....nah fuck that. It's awesome. I like it the appropriate amount. Kudos in large volumes for your drumming there, too.
Also awesome was Murderbeast.
They reminded me I'm an old fart and I need to listen blast beats and shit over 130bpm more often.

Skip and BRich:
That was nice fellas. Vocals had a Souls at Zero Vibe.

Conky: Shut up and take my money already. That beat with that vibe guit was fucking killer. Cannot wait to hear more.

Foucalt will say it better than I, every time:

Fuuuuuuuuck.

School obliterated my free time from the past 6 months. Linear analysis, discrete mathematics, upper division physics and finishing my 4th semester of Calculus has officially fried my brain.

Figured I'd check in here and see how all you dudes have been doing. Not too many pages could have gone by since I last posted.

...

.....

600.

600 fucking pages. And I'm gonna read them all but while I'm catching up it's good to see that from at least the last 10 pages I just read that everyone seems to be doing well.

Oh, and I just had to crank the Dunwich 200 tonight and play some Melvin riffs before practice tonight - it was great.

Dude! How's things?
I've been back at uni this semester as well.
Oh, the brutality.

whiskey_face wrote:

ShaolinLambKiller wrote:I did some noises today

http://youtu.be/g0SFEv8IEho?t=45s

just ask matt pike and I

tone is in the belly.

The weirdest part is it kinda just pokes out more when I play guitar, but I think it's cause I end up arching my back. Maybe my guitars really are too heavy and I lean back to counteract that.

misterstomach wrote:Holy shit, I want to see uncle acid so bad. And they're fucking playing the day after my parents get here to visit.

uncle acid > parents

I'm considering hitting the Seattle show too. They're one of my favourite fucking bands.

ShaolinLambKiller wrote:I did some noises today

http://youtu.be/g0SFEv8IEho?t=45s

fuck yeah man...that sounds so raw and dirty...love it!

on the tuning thing...its been a downward spiral for me in the last 2 years...i always use to play in Eb...then went down to D...the last year I went down to C...then a few months ago i went down to B...I'm not getting the itch to go down to A...but i think i may need to start looking for 25 or 25.5 scale guitars to keep some kind of clarity when i decide to go down further!

also...this could be killer news if it happens...but I realised that YOB and Pallbearer are playing a show in London in Sept...obviously i'll go...but the "killer" part is that my mate (guitarist in the band) is good friends with a band call Bast, who are opening for that show...so we will definitely go...and maybe we'll be able to hang out with the bands!

dazedbyday wrote:

AngryGoldfish wrote:

Ancient Astronaught wrote:

ShaolinLambKiller wrote:also note all the drumming in KP is single foot. I refuse to do any double bass work in it at all.

Amen brother, our drummer is of the same mindset and I love it.

I personally love double foot kick drum work, but it's definitely overused. I'd really like to start a Post-Metal kinda band and add double foot flurries like The Ocean does. I'd love to blend the grooves and speed of Gojira, with the slow, ambient drone of Cult of Luna.

I'm in. So lets get this shit started.

You guys have ways to co-write the guitar parts? I'll lay the drum tracks!!! I know me n Dazed can do our own recordings, Dan do you have a way to record? I'm all about an online international collab.

Iommic Pope wrote:Skip and BRich:
That was nice fellas. Vocals had a Souls at Zero Vibe.

You have no idea how much that actually means to me, that's one of the records that convinced me I needed to play music.

live-i-evil wrote:Fuuuuuuuuck.

School obliterated my free time from the past 6 months. Linear analysis, discrete mathematics, upper division physics and finishing my 4th semester of Calculus has officially fried my brain.

Figured I'd check in here and see how all you dudes have been doing. Not too many pages could have gone by since I last posted.

...

.....

600.

600 fucking pages. And I'm gonna read them all but while I'm catching up it's good to see that from at least the last 10 pages I just read that everyone seems to be doing well.

Oh, and I just had to crank the Dunwich 200 tonight and play some Melvin riffs before practice tonight - it was great.

DUUUUUUUUUUUUUUUUUUUUDDDDEEEE!!!!!!

Long time no see brother, glad to hear your wrapping up the crazy shit at Uni. There's been yeah about 600 pages, some peaks n valleys, but overall its been positive.

I gotta say there ain't nothing like cranking up a 200w Dunwich.

conky wrote:

AxAxSxS wrote:heavy as fuck

Thank you kind sir.


I got an email from a record label from Ireland asking us about having us on a 7" split series. Being a small label they are asking for the bands to chip in on it as well. I'm used to this as I have done this will pretty good success with a release before. 300 copies on colored vinyl split three ways with the label, and two bands. Our part of the cost would be 350 Euros which ends up at around $255 for us. What say you wise dudes? I mean, I'm gonna find out more about it, but is there anything I should be looking out for that I might miss?

What label was it? Also 350 euro is about 480 dollars which sounds like a tad too much money for a third payment on 300 7"s. Here's my supplier's price list.

http://discmanufacturingservices.ie/vinyl-prices.htm

If it happens to be wingnut records then he's a top guy.


PS I can never keep up with this thread...

I don't even own a guitar in standard tuning anymore, just one in B. Although for basses it's the exact opposite, I have 3 in standard tuning (or Eb usually) and one in B. I keep meaning to buy another guitar to keep in standard, but I don't have much use for it right now and I spent a big chunk of change on the new recording computer and DAW.