ilovefuzz.com

conky wrote:So which one of you dudes wants to move to Ga and play bass for us?

I'm all in, except.......... I propose y'all move to Colorado. It's a win win.

Chankgeez wrote:Oh, they definitely did.

I'd totally forgotten about them until I saw your pic.

Well fuck me they are now awesome.

Conky... if I hated where I lived I'd be down.


thanks t-rey.


and just added this to the pile, my short list of 'must haves' just got smaller.

Nice!

Edit for a question:

SLK, do you have any sort of rotation plan to make sure everything gets played at least occasionally? I mean, you are well on your way to museum status as far as "collecting" goes. I'm just curious how much of a curator mentality you (and really everyone else) have.

Shit, that Sunn is awesome. I assume you somehow traded the guy half a Dr. Pepper and some paperclips for it.

What are you dudes using for tremolo these days? I've very recently started to miss having a trem around.

t-rey wrote:Shit, that Sunn is awesome. I assume you somehow traded the guy half a Dr. Pepper and some paperclips for it.

What are you dudes using for tremolo these days? I've very recently started to miss having a trem around.

I have the minifooger trem, which will cover all the basic bases of tremolo. The varying wave form from slow rise and sharp decay to sharp rise and slow decay is pretty fun to mess with. It won't do quite square wave helicopter sounds. My only complaint is the waveform knob is interactive with the speed, so you can't just find the speed you want and live with it. All in all a pretty nice trem unit though.

Barracuda wrote:

t-rey wrote:Shit, that Sunn is awesome. I assume you somehow traded the guy half a Dr. Pepper and some paperclips for it.

What are you dudes using for tremolo these days? I've very recently started to miss having a trem around.

I have the minifooger trem, which will cover all the basic bases of tremolo. The varying wave form from slow rise and sharp decay to sharp rise and slow decay is pretty fun to mess with. It won't do quite square wave helicopter sounds. My only complaint is the waveform knob is interactive with the speed, so you can't just find the speed you want and live with it. All in all a pretty nice trem unit though.

I was looking at that one but after your blurb I'll keep looking.

I think I'm looking to try the new EHX Tremolo just for the fact that I can hit presets and have wild and crazy tremolo and totally normal tremolo.

SLK did you buy that off of eBay? I saw a combo listed at like $400. Seems like a pretty good deal if you ended up picking it up.

AxAxSxS wrote:Nice!

Edit for a question:

SLK, do you have any sort of rotation plan to make sure everything gets played at least occasionally? I mean, you are well on your way to museum status as far as "collecting" goes. I'm just curious how much of a curator mentality you (and really everyone else) have.

I don't really have an sort of rotation plan, since most are solid state I don't worry about them as much if they sit a month without play, but the tube amps I'll try to get to each one every week or 2. More of my rotation plan is recording cause now I run 2 heads at once for tracking guitar tracks. and been thinking about with some future ones using maybe 3 heads for 4 guitar tracks. one head that'll share on both main tracks and the others to sorta give a different flavor to each side. at the moment with the 2 it's both main lines using the same set up.

So with the number of amps I have I rotate for which project I'm using them for and go for there, also I do a fair amount of tone matching/complimenting for each release before I sit down and start tracking.

Like right now for the new Ishimura ep I started writing since the vocalist has finally settled down with his new house/wife/child he can record again and I wanted to still use a familar tone... which I tracked originally just with an Ampeg SS150. New ep be tracked with a Ampeg Vh150 and the Orange CR120.


and speaking of curator of a museum. I've wishing and started meantioning how I'd like to buy a church and actually have a tax exempt place of worship for tone and volume. mass being held at midnight, the sermons are drones and dirge. I'd have my avalanche of amps behind me and once you have attended and raised enough ranks in the church you may also join in on the drone on my own personal arsenal. but all are welcome to bring their own setups to worship to the lord that which is deaf.



hahah I wanted to play up T-rey's angle of trading for a dr. pepper. But yes odontophobia that one that just ended today was me. I plan on gutting it. So separate head, if the speakers are good new 212 or see about getting another 2 and making a 412 of transducers.

t-rey wrote:What are you dudes using for tremolo these days? I've very recently started to miss having a trem around.

Boss PN-2 is the olde standby, but this new Old Blood Noise Procession they have been teasing has my interest...

ShaolinLambKiller wrote:

AxAxSxS wrote:Nice!

Edit for a question:

SLK, do you have any sort of rotation plan to make sure everything gets played at least occasionally? I mean, you are well on your way to museum status as far as "collecting" goes. I'm just curious how much of a curator mentality you (and really everyone else) have.

I don't really have an sort of rotation plan, since most are solid state I don't worry about them as much if they sit a month without play, but the tube amps I'll try to get to each one every week or 2. More of my rotation plan is recording cause now I run 2 heads at once for tracking guitar tracks. and been thinking about with some future ones using maybe 3 heads for 4 guitar tracks. one head that'll share on both main tracks and the others to sorta give a different flavor to each side. at the moment with the 2 it's both main lines using the same set up.

So with the number of amps I have I rotate for which project I'm using them for and go for there, also I do a fair amount of tone matching/complimenting for each release before I sit down and start tracking.

Like right now for the new Ishimura ep I started writing since the vocalist has finally settled down with his new house/wife/child he can record again and I wanted to still use a familar tone... which I tracked originally just with an Ampeg SS150. New ep be tracked with a Ampeg Vh150 and the Orange CR120.


and speaking of curator of a museum. I've wishing and started meantioning how I'd like to buy a church and actually have a tax exempt place of worship for tone and volume. mass being held at midnight, the sermons are drones and dirge. I'd have my avalanche of amps behind me and once you have attended and raised enough ranks in the church you may also join in on the drone on my own personal arsenal. but all are welcome to bring their own setups to worship to the lord that which is deaf.



hahah I wanted to play up T-rey's angle of trading for a dr. pepper. But yes odontophobia that one that just ended today was me. I plan on gutting it. So separate head, if the speakers are good new 212 or see about getting another 2 and making a 412 of transducers.

Since my Beta Lead is without case I may hit you up about building me a shell as it sounds like you'll already have one there to prototype without me needing to ship you my stuff.

Just got to get it back with a clean bill of health. I've been busy trying to spend my bonus before I get it but as long as the Beta is up and running I'm planning on using it so it should happen.

ShaolinLambKiller wrote:But yes odontophobia that one that just ended today was me. I plan on gutting it. So separate head, if the speakers are good new 212 or see about getting another 2 and making a 412 of transducers.

I was the first bidder.

fever606 wrote:...but this new Old Blood Noise Procession they have been teasing has my interest...

Yeah, I'm waiting to see what the Procession is up to.

blakestree wrote:

ShaolinLambKiller wrote:But yes odontophobia that one that just ended today was me. I plan on gutting it. So separate head, if the speakers are good new 212 or see about getting another 2 and making a 412 of transducers.

I was the first bidder.

why you no bid competitively? hell you could've made meantion of it I would've backed off. I'm not a horrible gear hungry guy... well not to the point of cutting other people's throats on deals.


odontophobia, I'll def be down to do so. I'm doing one for louderthangod as well. just hashing out the small details like stain and if I should draw a dozen dicks on the inside of it or not.

blakestree wrote:

ShaolinLambKiller wrote:But yes odontophobia that one that just ended today was me. I plan on gutting it. So separate head, if the speakers are good new 212 or see about getting another 2 and making a 412 of transducers.

I was the first bidder.

why you no bid competitively? hell you could've made meantion of it I would've backed off. I'm not a horrible gear hungry guy... well not to the point of cutting other people's throats on deals.


odontophobia, I'll def be down to do so. I'm doing one for louderthangod as well. just hashing out the small details like stain and if I should draw a dozen dicks on the inside of it or not.

fever606 wrote:

t-rey wrote:What are you dudes using for tremolo these days? I've very recently started to miss having a trem around.

Boss PN-2 is the olde standby, but this new Old Blood Noise Procession they have been teasing has my interest...

I want both of these, I use a digitech TR-7, it's pretty rad, true stereo hardwire series tremolo/rotary modeler. It has a ton of different modes and sounds pretty good

ShaolinLambKiller wrote:and speaking of curator of a museum. I've wishing and started meantioning how I'd like to buy a church and actually have a tax exempt place of worship for tone and volume. mass being held at midnight, the sermons are drones and dirge. I'd have my avalanche of amps behind me and once you have attended and raised enough ranks in the church you may also join in on the drone on my own personal arsenal. but all are welcome to bring their own setups to worship to the lord that which is deaf.

First of all, that's just fucking b-dass and an excellent idea.
If the cops rock up, it's a religious activity and you have the paper work to prove it!
Secondly, sign me up - I'd move to the states for that.
100+ cabs surrounding everyone in the room, every one tuned to at least A.
Would you have to reinforce the structure of the building?