ilovefuzz.com

i use verb more than any pedal. then delay. phaser. then fuzz. but i have a high gain amp so using dirt isn't always needed.

only dirt on my board right now is a buzzz. when my band finall gets around to recording i may utilize the buzz into a clean amp more but we're a metal band and so some of that stuff has less application.

but verb and delay and phase for days.

Late to the reverb party, but I def agree that JA should get a space. In one of my bands I use it on every song. It makes everything good

welll... it is a post-rock band so I guess that makes sense

Space is officially on the list. I'll prob have to wait until
Next year

The h9 would be perfect if it came in the factor enclosure

Brandsmannen wrote:Late to the reverb party, but I def agree that JA should get a space. In one of my bands I use it on every song. It makes everything good

welll... it is a post-rock band so I guess that makes sense

1000% more God Speed is a great selling point.

I love verb too, but not for smearing purposes. I just like a little dirty splash when I'm palm muting. And occasionally a big splash with some fuzz after it.

The space can get fuzzy too, I get the sound to the intro in this song sole-y through the space nowadays: https://soundcloud.com/iseenogoduphere/ ... ets/aniara, and it goes from there to my other go-to setting here: https://soundcloud.com/iseenogoduphere/ ... ets/aniara

It just does all kinds. It's total overkill for everything

Iommic Pope wrote:

Brandsmannen wrote:Late to the reverb party, but I def agree that JA should get a space. In one of my bands I use it on every song. It makes everything good

welll... it is a post-rock band so I guess that makes sense

1000% more God Speed is a great selling point.

Oh I am happy you mention godspeed!! Hope skinny fists still plays you well

space is top shelf. probably the best gear plunge I've made besides my v4. mangleverb into dirt is god damn epic

JonnyAngle wrote:The h9 would be perfect if it came in the factor enclosure

I have absolutely no idea why they didn't simply do that. Can you even imagine? 'Hey, let's make one a pedal so powerful there's literally no comparing it with any hardware geared toward guitar players, but let's critically hamstring its playability by giving it one fucking knob. Maybe people will want to use their smartphones to load stuff into it--that's cool now, right?'

lol. i liked that aspect of it until i stopped using ios shit.

but yeah. a Max version in a box with actual controls? NOT A BAD IDEA.

Invisible Man wrote:

JonnyAngle wrote:The h9 would be perfect if it came in the factor enclosure

I have absolutely no idea why they didn't simply do that. Can you even imagine? 'Hey, let's make one a pedal so powerful there's literally no comparing it with any hardware geared toward guitar players, but let's critically hamstring its playability by giving it one fucking knob. Maybe people will want to use their smartphones to load stuff into it--that's cool now, right?'

this made me lol

if i had a h9-factor I would be waaay too overwhelmed by options. I use maybe 2-4 algoritms on each of my eventides, space and pitchfactor, and sometimes just that adds anxiety

Brandsmannen wrote:The space can get fuzzy too, I get the sound to the intro in this song sole-y through the space nowadays: https://soundcloud.com/iseenogoduphere/ ... ets/aniara, and it goes from there to my other go-to setting here: https://soundcloud.com/iseenogoduphere/ ... ets/aniara

It just does all kinds. It's total overkill for everything

Iommic Pope wrote:

Brandsmannen wrote:Late to the reverb party, but I def agree that JA should get a space. In one of my bands I use it on every song. It makes everything good

welll... it is a post-rock band so I guess that makes sense

1000% more God Speed is a great selling point.

Oh I am happy you mention godspeed!! Hope skinny fists still plays you well

You know it

Invisible Man wrote:

JonnyAngle wrote:The h9 would be perfect if it came in the factor enclosure

I have absolutely no idea why they didn't simply do that. Can you even imagine? 'Hey, let's make one a pedal so powerful there's literally no comparing it with any hardware geared toward guitar players, but let's critically hamstring its playability by giving it one fucking knob. Maybe people will want to use their smartphones to load stuff into it--that's cool now, right?'

I fucking hate presets

I had 3 chase bliss pedals hooked up to a midi controller and thought I was pretty cool. Then I'd find awesome preset 69, but then I wish it was just a liiiitle bit faster for this other part. So then I'd have 69 set and then 72 set as 69 but just a little faster. Too much fuckin around

No effectization without knobitation.

JonnyAngle wrote: No effectization without knobitation.

You won the quote of the month. I'm f***ing agree with that sentence!

Brandsmannen wrote:

Invisible Man wrote:

JonnyAngle wrote:The h9 would be perfect if it came in the factor enclosure

I have absolutely no idea why they didn't simply do that. Can you even imagine? 'Hey, let's make one a pedal so powerful there's literally no comparing it with any hardware geared toward guitar players, but let's critically hamstring its playability by giving it one fucking knob. Maybe people will want to use their smartphones to load stuff into it--that's cool now, right?'

this made me lol

if i had a h9-factor I would be waaay too overwhelmed by options. I use maybe 2-4 algoritms on each of my eventides, space and pitchfactor, and sometimes just that adds anxiety

Yeah I definitely was overwhelmed by the H9. But since the factor series uses an encoder for the mode algo selector (you have a couple of them, I think?) they could just make the encoder spin forever to select an infinite number of algos. It's not like, say, a BitQuest with the hardware limitation of a rotary pot with eight slots. If you spin the algo encoder on a factor pedal too fast, it doesn't even track accurately...I know they could do it. But they choose not to.

Invisible Man wrote:

Brandsmannen wrote:

Invisible Man wrote:

JonnyAngle wrote:The h9 would be perfect if it came in the factor enclosure

I have absolutely no idea why they didn't simply do that. Can you even imagine? 'Hey, let's make one a pedal so powerful there's literally no comparing it with any hardware geared toward guitar players, but let's critically hamstring its playability by giving it one fucking knob. Maybe people will want to use their smartphones to load stuff into it--that's cool now, right?'

this made me lol

if i had a h9-factor I would be waaay too overwhelmed by options. I use maybe 2-4 algoritms on each of my eventides, space and pitchfactor, and sometimes just that adds anxiety

Yeah I definitely was overwhelmed by the H9. But since the factor series uses an encoder for the mode algo selector (you have a couple of them, I think?) they could just make the encoder spin forever to select an infinite number of algos. It's not like, say, a BitQuest with the hardware limitation of a rotary pot with eight slots. If you spin the algo encoder on a factor pedal too fast, it doesn't even track accurately...I know they could do it. But they choose not to.

I assume each factor pedal runs off it's own chip and everything else is basically the same. Couldn't you get either A) get a super chip with all the algos, or B) a rotary switch to select different chips? I hope Eventide is lurking on this thread