ilovefuzz.com

I was feeling pretty good about this board until I heard about frog print In Limbos...now just kinda meh about it.

What is the blue one with 6 knobs and 2 toggles?

Handprint In Limbo Compact

Kind of a travesty that those I.E. peds aren't next to one another, but otherwise ultra dope.

Idk, diagonal symmetry ...

The bonar coefficient has been rather high for the past page or so.

Here's the configuration I was tinkering with earlier tonight;


(More of the image is visible with the forum in mobile mode).

just got a stereo 4x12 cab and my v-4 is running again. so in an attempt to keep occupied last night i added my aby to my board. ready to blow everything up.

Wittgenstein wrote:

002.jpg

I was feeling pretty good about this board until I heard about frog print In Limbos...now just kinda meh about it.

Looks formidable.
Whats the blood red number in the top right?

It's an odd looking fuck

noisejockey wrote:first post w00t

Hey, welcome. Glad you made it over here.

Pink Floyd whalesong + chase mode + mini

Also, I wanna post my gf's pretty solid bass board that we worked out together


It gives you a full range of dynamic dirts, and whichever pedal is being used as the 'baseline' sound [lol], kicking on the other will always bring the whole sound up a notch, which you don't always get with stacking dirt combos.

It's been a while. It's pretty much the same, but I've moved some stuff around to avoid hitting the wrong switches and added/subtracted some pedlols.



Singing Tree > Fuzz-E-Cat > RM-1N > Buzzz > TAFM > Raptio > Stamme[n] > Ditto X2 > Nemesis > Meatbox > Bitquest w/expression

Interesting signal chain! I dig it!

I can elabore on the chain a bit:

Singing Tree is an overdrive, so it goes first (unless it were a Fuck OD). It gives the Fuzz-E-Cat a bit more sustain before the gate closes (gated oscillating fuzz). I like having dirt both before and after the RM-1N. It just makes it more versatile, and the lo-fi, broken reverb sounds amazing with the oscillations of the Cat into it. Buzzz sounds huge, but doesn't really give a crap what comes before it (unless it has a ton of highs, which I don't need (bass player)). TAFM makes everything better and I like having it in front so I can turn the gate+max gain on and off fast and easily. Freeze and glitch pedals go post-fuzz because reasons, maximum choppiness and ease of use by having them in the front. Looper ALWAYS goes before reverb so the seam of the loop doesn't become apparent. I like keeping it before delay for the same reason, but also so I can mangle those loops until they are unrecognizable. 99,99999% of fuzz pedals don't sound good with sub harmonics and most of them just refuse to accept them AKA cuts them, so having the Meatbox at the end is another no-brainer for me. Plus, it spasms out when you feed it complex frequencies, which sounds rad and really give your guts a good tumble. The BitQuest on the other hand, accepts and lets through all frequencies and having it at the end of the chain lets me change the feel of my entire board by just changing the mode. I also put the David Rolo Molecular Compactor chip in the dirty side, so I have 16 different sounds to mess around with. SQUEEE!

Wittgenstein wrote:It's an odd looking fuck

Looks pretty good to me.