ilovefuzz.com

Bartimaeus wrote:
Gotta ask, how much use do each of your glitch boxes get? Are there any that you use most of the time? And why the two Ct5's?

Everything gets used at some point, but some are certainly more popular than others, it depends on what I fancy using on any given day.

There are two CT5s (and two BitQuests) because I was wondering what two would sound like, and it seemed the easiest way to find out

I spent an hour or two last weekend just playing around with the CT5s (and later on with a bit of reverb) and there are times I'll only have one or two pedals on, while other times I might have lots all going at once.

If something interesting starts to come out of it then I'll record it and add it to a folder which I dip into when I'm making some music.

Not surprisingly, I'm reaching a point where I won't "need" much more, but that's unlikely to slow me down much I'll just have to start swapping pedals in and out - unless I remove a bookcase or a piano from that end of the room or move the whole lot upstairs.

Paul_C wrote:Hurrah for minimalism !

This is my latest (rubbish picture as always, sorry):

This reminds me of Lou Reed's rig during the Lulu sessions

qersty wrote:

This reminds me of Lou Reed's rig during the Lulu sessions

Wow mate we’re all friends here. There’s no call for that kind of talk.

whoismarykelly wrote:

Jesus Was a Robot wrote:Re-did things again. Just trying out different options here.

Love the Ventris with the app now working. Got crazy cool stuff out of it. Is it justifiable though? I don't know. Need to A/B it with the H9.

Still debating what to use as an overdrive. Also debating the GC Pro even though it does a ton of stuff. Without using a controller of some sort for presets, it's pointless. Actually, several pedals are. So, what do I want here? Simplicity that is complex? Or true simplicity. That's what I'm trying to figure out.

What's the box with 24 knobs

It's the VFE Klein Bottle. I need to do the artwork for it still. Just wanted to try it out. It's basically a mixer of sorts.

I will add that I really wish it had came with a manual. I emailed Peter and asked if he has one. It's pretty complex.

retinal orbita wrote:

qersty wrote:

This reminds me of Lou Reed's rig during the Lulu sessions

Wow mate we’re all friends here. There’s no call for that kind of talk.

For guitar and bass. Getting a Frazz Dazzler 2017 tomorrow. Wanna replace the Randy's as it's a little too dark.

Nice digs! You ever think about trading the Randy’s Revenge I’m in the market for such sorcery.

My pedalboard as it stands now. Not much I really wanna change. Only thing that is gonna be different soon is im gonna swap the blue FF for the BOG Fuzz Face I got on the way.

Just finished soldering up the last cable on this. I believe my pedalboard is done, provided I don't find some other pedals that I want more than these.

My ancient alphabet is not your God damn pedalboard graphic!!

Nice board.

How's that big bastard sound? I've always wanted to try one but like Verellen, if I bought it, I'd be selling it shortly after. Can't justify the price tag.

UglyCasanova wrote:My ancient alphabet is not your God damn pedalboard graphic!!

Nice board.

Lol, it is now! Thank you, sir. I'm hoping that I can get a few months of use before I change something again.

Jesus Was a Robot wrote:How's that big bastard sound? I've always wanted to try one but like Verellen, if I bought it, I'd be selling it shortly after. Can't justify the price tag.

I love it! The clean channel is a tweaked Hiwatt with an active mid-range control, and it gets the best clean tone that I've ever had. The dirty channel is based off of a Matamp, and I'm still playing around with it. Sounds killer though. The main reason I got it was for being able to get my tone off of my board, especially when we go on tour.

Still working on layout but I'm loving this combo. Lots of noises to be made.

iamthearm wrote:Still working on layout but I'm loving this combo. Lots of noises to be made.

Mmmmmmmmmmmmmmmoog.