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frigid midget wrote:[

Temporary solution. Should get me by till I've got my Clusterfuzz back, fixed my DE7, replaced all the dirt peds with fresh ones, swap the chorus with an OBNE Dweller, and receive the fancy volume/exp pedal I just bought

Lovely mix of different stuff on this one!
I could easily using it without changing a thing.
How do you like the ehx ic muff? When I tried it I found it quiet (speaking of max volume) compared to the other ic muffs I own/owned.

Dowi wrote:
Lovely mix of different stuff on this one!
I could easily using it without changing a thing.
How do you like the ehx ic muff? When I tried it I found it quiet (speaking of max volume) compared to the other ic muffs I own/owned.

Yeah, the whole idea is to have just one board for my different bands/styles/projects/moods. I kinda went overkill on this one though, but the board/case was too big and my power supply was big enough too...so why not fill the whole thing up with left over pedals

The IC Muff...Dependis on what muff flavour you're into ofcourse, but honestly..after buying and flipping more vintage and boutique muffs than i care to remember, this one just made me realise I need one "set and forget" muff that's somewhat reliable and not overflowing with switches and controls that'll just give me option paralasys or something. Remind me I said that when I post a new pic showing off my next muff fuzz

No volume issue on mine. Unity volume is around 10 or 11 o'clock. You get a significant volume boost with the control at noon.

The Fuzz War is also pretty muff-ish, but the tone control needs really precise tweaking, everything but one VERY particular setting sounds either harsh or too dark. It's my buddy's, he's got my Clusterfuzz now. Haven't tried it with single coils yet, but I doubt that'd make a huge difference.

I get what you are saying about the Fuzz War, even though I just played the War setting on the DBA Apocalypse (which should be really close to a fuzz War iirc) it was extremely difficult to me to integrate it in the setup without fucking up the settings of the gain stages I have placed before it in the signal chain. It had a sweetspot where everything sounded right but I constantly ended messing it up with my foot.

Yeah, but that one setting does sound sick. I'd be willing to deal with the bulky size of the pedal or the hefty price tag if it there weren't a gazillion other big muff type fuzz pedals out there that aren't so big and so finnicky, and aren't limited to a tiny range of useable tones. Doesn't really make me wanna buy their $540 reverb pedal, when there's also a gazillion other super impressive versatile reverb pedals out there

Many changes... most to do with noise issues.. the orange thing rocks! I really like it! also.. now with hinges for power unit access > Lehle ABC > EBJr VP > tuner > IbanezPQ9 > IbanezPQ9 > Modded GGG Orange Squeezer > Moog Trem > Radial A/B >>
[side A > Tru-Fi octavia > Henretta Enginering Octoplus > Mellowtone Electic Apple > MXR phase 45 > Bass Crybaby > Orange Bax Bangeetar > Demeter Compilator > Boss RE-20 > Pigtronix Infinity Looper > Guitar Amp]
[Side B > Taurus Dexter MK2 Octave > Wren and Cuff Mercy Phuk > TYM Mud Fuzz > Boss GE-7B > Maxon RTC600 > Pigtronix Infinity Looper > Bass Amp]

Current board! Chain:
Tuner
Pladask Feber
Ehx Holy Grail
Fjordfuzz Fenriz
Dod Boneshaker
Mooer Blues Mood(BD-2 clone)
EP-booster clone(under the board)
Ehx Switchblade+
Output 1>
Chase Bliss Mood
Output 2>
Boss OC-5
Chase Bliss Blooper
Both chains "meet up" at the:
TC Mimiq
Boss DD-8
Fulltone Supa Trem 2
DBA Rooms

Two amps

From the Mimiq and out it's stereo.

Ever use that board with just one amp? I mean, without having to redo half of the chain to make it mono. That's sorta the problem I'm running into atm. I've got an yba switcher between my dirt and modulation/verb/delay, to split the signal into seperate wet and dry chains. The practice amp I use at home won't let me use both of its inputs at the same time

If I just need to record something for a demo I might just use one amp, if I don't need to have two loops going at the same time.

But if for some reason I only had one amp and wanted to use all the pedals on the board without puling it apart, I could put a Boss RC-3 after the Rooms. I think that would sum both signals if I only used 1 output on the RC-3.


But this is my "band" board, so it usually stays in at the rehearsal space plugges into two amps.

I have no way to do clips other than my phone which leaves something to be desired, and that "something" is fidelity. if i do get my laptop fixed then i'll be able to do stuff again.

i swapped the Muza on the front-end board with the RV-3 on the main board because i wanted the additional reverb and delay options, but i think i'm going to switch them back. the main board needs the dirt of the RV-3, and the other board needs the precision of the Muza to clarify all that wobble.

I decided to keep the reverbs where they are. i need the wide-range 'verbs on the Muza as part of the main setup. i still have to test the front-end board with the RV-3, but i think it will fit in just fine. i did make one change, though: i switched the positions of the Muza and the Fender tremolo so the reverb/delays are last in the chain. i used to use the RV-3 to generate drones which i then chopped up with my old Menatone trem into square-wave synth lines, but i'm not really doing that any more.

voerking wrote:

how are those volume pedz? how much/what usage makes paying for magnets worth it? :insaneclownposse:

qersty wrote: how are those volume pedz? how much/what usage makes paying for magnets worth it? :insaneclownposse:

i love the Lehle volume pedal. i've tried LOTS of VPs over the years (Ernie Ball, Goodrich, Morley, DOD, BOSS...and more i have forgotten), and this one is my favorite for the the smoothness of the sweep, complete lack of extraneous noise, and just general ability to take abuse & keep functioning correctly! it costs a lot, but it's worth it (to me, anyway).

nice. and whats the copper one?

Looks like a Fjord Fuzz Embla.