Jero wrote:That's an old Kay k1 bass! I have the body for one in my closet and the pup in the neck position of my pbass (but has no neck ) The bridges they came with were super weird.
Yeah, the bridge it came with was crazy: I think they were supposed to have bridge covers to hide that mess, but of course everyone lost them. The pickup in mine is also pretty microphonic, but... works for me, it's usually going through a couple fuzz pedals anyway.
Gone Fission wrote:Any decent cheap strat or tele clone should be good for at least b to b with the right strings. My $80 (Taiwanese?) Fernandes strat is set up to drop c. Tasty stuff, though maybe not deep enough to hang in this thread.
A big part of the baritone coolness/sound differences is the longer-than-average neck.
Jero wrote:That's an old Kay k1 bass! I have the body for one in my closet and the pup in the neck position of my pbass (but has no neck ) The bridges they came with were super weird.
Yeah, the bridge it came with was crazy: I think they were supposed to have bridge covers to hide that mess, but of course everyone lost them. The pickup in mine is also pretty microphonic, but... works for me, it's usually going through a couple fuzz pedals anyway.
I loved the way it sounds in my precision. OOMF for days. Need to get that up and going again. I actually have a lefty peavey milestone neck that I could make fit in that Kay body, but the pickguard/etc is long gone.
P-POW! The stratty thing used to have a blacktop jazzmaster body, but I loved the strat body so much I flipped the JM body. Also the bridge is more stable than the TRAINWRECK that is on a blacktop Jazzmaster. I use this one for... uh, one song so far, by myself. But I plan to use it in Rot Box, my doom metal project.
The Tele thing is The Beast, my forever guitar. I use this for the baritone parts in The Ronald Raygun
The Gretsch is the 30" scale baritone/bass VI. I dont use it, but nobody has bought it yet.
Chankgeez wrote:
DWARFCRAFT: We are not fucking around this year.
Gone Fission wrote:Any decent cheap strat or tele clone should be good for at least b to b with the right strings. My $80 (Taiwanese?) Fernandes strat is set up to drop c. Tasty stuff, though maybe not deep enough to hang in this thread.
A big part of the baritone coolness/sound differences is the longer-than-average neck.
Yeah, it takes it further. But if it just takes a set of strings and some set up work to give new life to a guitar that's sitting around unused, it's silly to let the lack of the ideal setup stop you.
D.o.S. wrote:Broadly speaking, if we at ILF are dropping 300 bucks on a pedal it probably sounds like an SNES holocaust.
friendship wrote:death to false bleep-blop
UglyCasanova wrote:brb gonna slap my dick on my stomp boxes
this is mine. Italia Model D, strung u with Bass VI strings, tuned A to A an octave below.
With baritones I find you need to use a couple of pedals to get them sounding nice distorted. Go to right now is a Rat into a Supercollider with the gain down fairly low. But yeah I play black metal so...need lots of distortion to cover the fact that I can't trem pick very well haha.
aen wrote: P-POW! The stratty thing used to have a blacktop jazzmaster body, but I loved the strat body so much I flipped the JM body. Also the bridge is more stable than the TRAINWRECK that is on a blacktop Jazzmaster. I use this one for... uh, one song so far, by myself. But I plan to use it in Rot Box, my doom metal project.
The Tele thing is The Beast, my forever guitar. I use this for the baritone parts in The Ronald Raygun
The Gretsch is the 30" scale baritone/bass VI. I dont use it, but nobody has bought it yet.
What is the scale on the stratty guitar? is that a bass VI neck?
aen wrote:Or I'll just use fuzz. Then Ill sound cool regardless.
Achtane wrote:Well, volcanoes are pretty fuckin' cool. Like I guess lava flows are doomy. Slow and still able to to melt your eardrums.
) The bridges they came with were super weird.
