dazedbyday wrote:I finally got around to ordering a face plate and logo plate for my 2203 build.

Dragged it into the live room to play with it a bit and it sounds killer. Now I need to get it to the band practice space to try it with the band.
Duuuuuuude that turned out sick!!!!! Great job!
pelliott wrote:sup dudes
I got into grad school in Brooklyn for Exercise Science. I'm moving to Brooklyn toward the end of the summer.
I'm pretty fucking excited about that.
MuFukkin congrats there Peter!!!!
CaptainBoxman wrote:Here's a question for you dudes:
How do you find venues react to your rigs? There's a local culture around here of "A 4x12? Ridiculous! Far too loud for this place, turn it DOWN."
Loads of the local bands turn up with cheap shitey 2x12 combos, and even in the venues where they're prepared for it, volume is looked down upon.
Whenever I talk to local band dudes about my Matamp, I often get a "Why do you even need that many watts?" reaction, and I feel like having JUST a 120w amp and a 4x12 makes me a wimpy bitch around here
Around here theres a couple types of clubs.... Theres the small venue's with no actual sound guy (usually just the promoter running a lackluster POS PA) where its fairly no holds barred when it comes to volume on stage, there's small club/bar's who hire sound men and where theres a sound guy they don't want to risk losing the job so they try to keep volume down so the cops don't come (they also mic a full stack for 20-30 people and tell you to turn it just above silence), theres some small clubs with house sound guys that depending on the actual venue and how they mic stuff will usually let you crank fairly loud (as long as you talk to them ahead of time, if they all ready set up a mic on your cab they gonna be pissed and tell you to turn down, if you tell them hey I'd rather not go through the PA and just crank my rig they usually will) and then theres the big clubs (800+ people) who deal with the real deal touring bands that come through and those mofo's will let you crank your shit to ten and STILL mic you! But to play there you either gotta be able to sell 500+ tickets or know the touring headlining band.....